PRISM AUDIO PLUG-INS · WINDOWS VST3
Hear it.Then see it.
The PRISM series lets you check how your sound changes with your eyes as well as your ears. Developer and vocal-synth producer Mitsuki Kunisaki has refined every one of them on real songs.
Every paid product has a 14-day free trial with all features →
FEATURES
What sets PRISM apart
EQ curves, spectra and what the compressor is doing are shown inside the plug-in, so you can adjust while watching changes that are hard to judge by ear alone.
The developer works as a vocal-synth producer and uses PRISM products for mixing and mastering. Anything that gets in the way during production is revisited each time.
Presets, A/B comparison and settings sit in the same place on every product. Each model keeps its own character, without making you relearn how to use it.
PRODUCTS
Available now

FLEX
A flexible digital EQ with up to 24 bands, Dynamic EQ, Stereo / L / R / M / S and multi-layer spectrum analysis.

FLEX Lite
The free 6-band edition of FLEX: Dynamic EQ on every band, Stereo / L / R / M / S, and a spectrum overlay of one other track.

DIGITAL
A transparent, precise general-purpose digital EQ designed for use from mixing to mastering.

N73
A PRISM interpretation of classic British-style EQ workflow and character for musical tone shaping.

FE76
A fast FET compressor with three revisions (A / E / AE), a real-time compression view, GR VU meter, MIX and DELTA.

FC67
A variable-mu-style compressor with independent Mid/Side compression and six time constants.

902
A focused de-esser with Frequency and Range controls, Normal / HF Only modes, SC Listen, and real-time analysis.
NEWS
News
LISTEN
Hear the difference
Switch the same drums between settings and compare them at matched loudness.
DEVELOPER
Mitsuki Kunisaki
A vocal-synth producer who began writing songs in junior high and got serious about DTM at university, drawn to stories that are bittersweet yet never give up on hope, and to songs set in fantastical worlds.
While making music as a vocal-synth producer, Kunisaki started building plug-ins to turn "I wish I had something like this" into real tools, and before long was doing almost all mixing and mastering with self-made plug-ins.